I have never been a fast painter. I see friends who bang out piece after piece during a day. Why can't I get the hang of trusting what I feel and slapping it down? Instead, I tend to linger, plot out the strokes, the colors. In the end, I often end up ruining a perfectly good painting by overworking it. Being a good artist is also knowing when to quit, so I guess I'm not such a good artist sometimes.
But the trouble is that it's the sections of the paintings... One will be completely done while another is barely started. So I guess my brain says that since I'm still working on the painting, I can go back to the done section, and that's where the trouble comes in.
I need more practice at doing quick works. When I was in college, we did a lot of gesture drawings. The teacher would put us on the clock, giving us 5 minutes, then 2, then 1 to do full page (18 x 24 inch) drawings. You didn't have time to think about stuff too much. You were forced to quickly reconcile what you were looking at and get your hand moving to capture it. And it got me a lot more comfortable with laying down rich, thick lines instead of the barely visible itty bitty sketches I was doing before.
I need to do that with my watercolors. Some of the pieces I've shown here were done fairly quickly, so I know I have it in me to trust what I'm doing, I just need to convince the rest of my head to trust as well.
So, I am going to start a series of small paintings, called ACEOs (art cards, the size of baseball cards) where I am going to do more gestural type works.
I'll start posting them as I get them done - first one in three weeks! Just kidding!!!! first one tomorrow at the latest is what I'm hoping for.
What tips do *you* have for speeding up artwork? For trusting your own instincts? Help me out!
Peace,
Joy
Wednesday, March 18, 2009
Saturday, March 07, 2009
Next for the Orrery Project
Previous posts have focused on the rocket that is the center column for our orrery. The one pictured here doesn't have the bottom section with the fins, but our new one does. Now that the rocket has been carved and the holes bored into it to accept the drive tubes, it can be put aside for a bit and we move on to the next section - The arms.
You can see here that each planet has its own arm. The rocket is cut into little sections so that each arm will spin freely on a bearing between the rocket sections. So it's time to craft the arms. While the arms are being built, the planets can also be blown. If we have some good weather, we'll get going on that too.
Back to the arms. They need to be very strong - the piece is going into a college, where no doubt, there will be drunken college students attempting to take Jupiter home with them. A lot of thought and design has gone into this orrery to make it "Student-Proof", as best we can anyway... Since they're pretty thin, we've chosen to make the arms out of carbon fiber (what they make jet fighters out of, and the new SpaceShip One) It's extremely sturdy, and very lightweight. Lightweight matters because the planets themselves, being blown glass, are going to be on the heavy side and we want to make sure all that weight off of one side of the rocket doesn't screw up its ability to spin freely, so wherever we can make something lighter, it's a good thing.
But how do we make an arm from this mystical "Carbon Fiber"? We can get CF in various forms from online stores that sell to homemade airplane makers, or car hobbiests. It comes in rod, tube, tape or a fabric. Hmmm.... Fabric.... I used to work professionally as a costume designer for theatres, and have worked with fabric all my life. I could use my fabric knowledge with this new technique! How hard could it be?
You can see here, the feather spars I built for our mobile projects. The longest is about 16 feet long! The largest is about 4 inches wide by 3/4 inch thick at the tube. Only about an 1/8 inch thick on the feather.
Now here is a closeup of those feather spars before I did the final trim work on them. You can see that it is a cross weave fabric. It's a very thick fabric, and the weave is loose so it tends to wiggle all over the place. It is also highly toxic, so gloves, goggles and a mask are required. I first make a long pattern of what the full piece needs to be and then carefully cut the CF to match.
The feather shape is laid out on plastic in a specially designed mold that will hold it in its "feather" shape until it's set. It is wrapped around a central tube, which gives it stability and also a way for us to pass the wiring needed for each planet, and then soaked with a two part epoxy glue. The plastic is then rolled over the top, sealing the piece inside. I then squeegee out the excess glue and smooth it under the plastic so that there aren't any bubbles or dry spots. I add weights to hold it in the tight curve shape. Then it's just a matter of waiting for the epoxy to set up. I check on it often during the next 12 hours to make sure nothing is coming loose or slipping.
I will use this same technique for the orrery arms, but on a smaller scale. The longest arm is only 3 feet long, with a gentle curve to it, and fairly thin - it will be under 3/8 inch thick. I plan on squeezing the pieces towards the inner part of the curve to that when I trim and clean it up, it won't be as visible as it would be on the outside where people are seeing it more.
That's the plan. We'll see how it goes! How hard could it be?
Peace,
Joy
You can see here that each planet has its own arm. The rocket is cut into little sections so that each arm will spin freely on a bearing between the rocket sections. So it's time to craft the arms. While the arms are being built, the planets can also be blown. If we have some good weather, we'll get going on that too.Back to the arms. They need to be very strong - the piece is going into a college, where no doubt, there will be drunken college students attempting to take Jupiter home with them. A lot of thought and design has gone into this orrery to make it "Student-Proof", as best we can anyway... Since they're pretty thin, we've chosen to make the arms out of carbon fiber (what they make jet fighters out of, and the new SpaceShip One) It's extremely sturdy, and very lightweight. Lightweight matters because the planets themselves, being blown glass, are going to be on the heavy side and we want to make sure all that weight off of one side of the rocket doesn't screw up its ability to spin freely, so wherever we can make something lighter, it's a good thing.
But how do we make an arm from this mystical "Carbon Fiber"? We can get CF in various forms from online stores that sell to homemade airplane makers, or car hobbiests. It comes in rod, tube, tape or a fabric. Hmmm.... Fabric.... I used to work professionally as a costume designer for theatres, and have worked with fabric all my life. I could use my fabric knowledge with this new technique! How hard could it be?
You can see here, the feather spars I built for our mobile projects. The longest is about 16 feet long! The largest is about 4 inches wide by 3/4 inch thick at the tube. Only about an 1/8 inch thick on the feather.
Now here is a closeup of those feather spars before I did the final trim work on them. You can see that it is a cross weave fabric. It's a very thick fabric, and the weave is loose so it tends to wiggle all over the place. It is also highly toxic, so gloves, goggles and a mask are required. I first make a long pattern of what the full piece needs to be and then carefully cut the CF to match.
The feather shape is laid out on plastic in a specially designed mold that will hold it in its "feather" shape until it's set. It is wrapped around a central tube, which gives it stability and also a way for us to pass the wiring needed for each planet, and then soaked with a two part epoxy glue. The plastic is then rolled over the top, sealing the piece inside. I then squeegee out the excess glue and smooth it under the plastic so that there aren't any bubbles or dry spots. I add weights to hold it in the tight curve shape. Then it's just a matter of waiting for the epoxy to set up. I check on it often during the next 12 hours to make sure nothing is coming loose or slipping.
I will use this same technique for the orrery arms, but on a smaller scale. The longest arm is only 3 feet long, with a gentle curve to it, and fairly thin - it will be under 3/8 inch thick. I plan on squeezing the pieces towards the inner part of the curve to that when I trim and clean it up, it won't be as visible as it would be on the outside where people are seeing it more.That's the plan. We'll see how it goes! How hard could it be?
Peace,
Joy
Sunday, March 01, 2009
More Little Watercolors
I've gotten a great response for the little watercolor I posted of Shadow, so here is another one I did a bit ago. This is of Larry, our beautiful Maine Coon tuxedo boy. He is from a kaboodle of 5 abandoned kittens we rescued (yes, we're suckers for cuties....)
This piece is only 6 inches wide, and really captures his eyes. I really like the super closeups, if I can get them to pose for that long, but Larry happens to be one of the most easygoing cats I've ever had, so it's easy. I just have to tell him he's adorable, and he flops down and goes into some really cute pose.
Since my watercolors are only personal projects so far, I don't often get time to work on them. Paying jobs come first. Today, it's raining and dreary though, so maybe I'll take some time, get a mug of cocoa, put on my slippers and lose myself in some little paintings.
Yes, that sounds like a really good plan.
Please post a comment here and on facebook. I'd love to hear what you think, suggestions....
Peace,
Joy
This piece is only 6 inches wide, and really captures his eyes. I really like the super closeups, if I can get them to pose for that long, but Larry happens to be one of the most easygoing cats I've ever had, so it's easy. I just have to tell him he's adorable, and he flops down and goes into some really cute pose.Since my watercolors are only personal projects so far, I don't often get time to work on them. Paying jobs come first. Today, it's raining and dreary though, so maybe I'll take some time, get a mug of cocoa, put on my slippers and lose myself in some little paintings.
Yes, that sounds like a really good plan.
Please post a comment here and on facebook. I'd love to hear what you think, suggestions....
Peace,
Joy